LUTs for Negative Space
Spectra Lab: Experimental LUT Collection
Built for CMY-Negative Pipelines. Designed to Push the Process Forward.
This is not your standard LUT pack.
The Spectra Lab: Experimental LUT Collection is a growing library of print emulations, monochrome treatments, cross-process looks, duotone FX, and film-inspired aesthetics, all designed to operate within CMY-negative-aware workflows.
Crafted specifically for use inside subtractive pipelines (JPLog2), each LUT in the collection respects the logic of film while exploring bold visual directions. From Kodak Vision3 and Fuji 3513 to wild infrared simulations and XR-style reversal tricks, these LUTs were built for professional colorists grading inside digital negative space.
Designed to experiment. Calibrated for real work.
Key Features
• Over 50 LUTs optimized for CMY Negative DCTL workflows
• Categories include: Film Print Emulation, Bleach Bypass, Monochrome Tints, Cross-Process, Infrared, Lomo, Hero Color Chapters, Expressionist Cinema, and more
• Carefully tuned contrast and tone curves for subtractive color workflows
• Supports 32-bit float grading environments (Rec.709 primaries)
• Ideal for narrative, music video, documentary, and high-concept commercial work
How to Use
Apply LUTs inside CMY negative space, directly after contrast shaping and before RGB reversion. These LUTs are not intended for use in standard RGB workflows—they are designed for pipelines utilizing the Spectra: CMY Negative DCTL and supporting modules.
Suggested Node Chain
IDT → CMY Negative → Paper Contrast → LUT from Collection → RGB Reverter → CDL → Look LUT (optional) → ODT
Spectra Lab: Experimental LUT Collection
Built for CMY-Negative Pipelines. Designed to Push the Process Forward.
This is not your standard LUT pack.
The Spectra Lab: Experimental LUT Collection is a growing library of print emulations, monochrome treatments, cross-process looks, duotone FX, and film-inspired aesthetics, all designed to operate within CMY-negative-aware workflows.
Crafted specifically for use inside subtractive pipelines (JPLog2), each LUT in the collection respects the logic of film while exploring bold visual directions. From Kodak Vision3 and Fuji 3513 to wild infrared simulations and XR-style reversal tricks, these LUTs were built for professional colorists grading inside digital negative space.
Designed to experiment. Calibrated for real work.
Key Features
• Over 50 LUTs optimized for CMY Negative DCTL workflows
• Categories include: Film Print Emulation, Bleach Bypass, Monochrome Tints, Cross-Process, Infrared, Lomo, Hero Color Chapters, Expressionist Cinema, and more
• Carefully tuned contrast and tone curves for subtractive color workflows
• Supports 32-bit float grading environments (Rec.709 primaries)
• Ideal for narrative, music video, documentary, and high-concept commercial work
How to Use
Apply LUTs inside CMY negative space, directly after contrast shaping and before RGB reversion. These LUTs are not intended for use in standard RGB workflows—they are designed for pipelines utilizing the Spectra: CMY Negative DCTL and supporting modules.
Suggested Node Chain
IDT → CMY Negative → Paper Contrast → LUT from Collection → RGB Reverter → CDL → Look LUT (optional) → ODT